Laser Print Etching with SiliPaper

SiliPaper is what this printmaker calls the silicon-coated paper backing that comes with many self-sticking products such as label paper, mailing labels, etc. He prints an image from his computer with a laser printer (ink jet won't do) and hot presses it on a copper etching plate. It transfers and the black print acts like a resist to the etchant, whichi is ferric chloride. By the end of the video, he's ready to print.

como afiar goivas

http://www.finewoodworking.com/SkillsAndTechniques/SkillsAndTechniquesArticle.aspx?id=30227

é propaganda de um vídeo sobre xilogravura, mas nesse trecho ensina a afiar goiva em U e em V

Ukiyo-e woodblock printmaking with Keizaburo Matsuzaki

Willem de Kooning - técnicas e materiais

 Woman II (1952)

The use of charcoal can be seen on the far left side of the canvas, where chunks of the charcoal are literally embedded into the paint. This is a result of his having drawn directly onto the canvas with the charcoal while the paint was still wet—possibly also experimenting with a new composition for the canvas, or parts of the composition for the canvas. The charcoal bits that can be seen on that far left side also echo a painting strategy that he had used in his paintings from the 1940s, where he was mixing crusty, dry materials like plaster of Paris and quartz directly into his paints to get a very matte kind of surface. And the charcoal functions much the same way here in Woman II.

Willem de Kooning is a famous artist whose fragmented, distorted, gestural abstract paintings I put it into the "intriguing" rather than "captivating category". I'm mostly fascinated by how long it is said to have taken him to finish a painting, even though the results may look like he painted them in no time at all. In fact he reworked and reworked.

A major retrospective of his paintings has opened at the Museum of Modern Art in New York, along with a special exhibition website. Even if you don't like his art, do read the sections about his working methods and materials. For instance, you'll discover he experimented with cooking oil as a medium, drew with charcoal into wet paint, and pinned drawings to a painting to rework a composition.

• MoMa 2011 De Kooning Exhibition website
• ArtInfo Interview with Exhibition Curator John Elderfield

fonte:http://painting.about.com/b/2011/09/18/de-kooning-painted-with-cooking-oils.htm?nl=1

litografia doméstica

http://www.youtube.com/watch?v=G2w0IFm7JOY&feature=share

Lithographie maison — Kitchen Lithographie

http://www.art-emilion.fr/fichiers/handbookv_1_2.pdf

impressão direta da natureza

 

http://www.youtube.com/watch?v=6QDdvBqGo-A&feature=player_embedded

http://www.natureprintingsociety.info/

impressão direta da natureza

(em inglês)

Du Dessin et de la Couleur - Félix Bracquemond

para quem quiser ler o livro

Du Dessin et de la Couleur - Félix Bracquemond

http://gallica.bnf.fr/ark:/12148/bpt6k108868z.r=felix+bracquemond.langEN

link da Gallica

a Biblioteca Nacional da França.

Esse foi o livro de cabeceira do Van Gogh e um dos mais importantes na história do desenho.

Gyotaku

Gyotaku

Gyotaku (Japanese 魚拓, from gyo "fish" + taku "rubbing") is a traditional form of Japanese fish printing, dating from the mid-19th century, a form of nature printing used by fishermen to record their catches. There are two methods used in gyotaku. The direct approach is the best way to do gyotaku. In order to make a gyotaku print, one places the subject (e.g. fish, crab, scallop shell) on a wooden bench and paints one side with sumi ink. Modern gyotaku artists often substitute acrylic or other painting material for the traditional sumi.

Gyotaku is also practiced as a form of art, and is very popular among young children both in Japan and Western countries. Sometimes, rubber fish replicas are used.

An excellent "how-to" article by Joe Higgins, "Fish Print's: Get into Gyotaku for a one-of-a-kind trophy" with detailed instructions and photo's was published in the January 2010 edition of On The Water magazine.

http://www.youtube.com/watch?v=InpLfs4rasw

Produção de Litogràfia com o mestre impressor Roberto Gyarfi

http://lazer.hsw.uol.com.br/litografia.htm

Produção de Litogràfia com o mestre impressor Roberto Gyarfi

De Moises Patricio

94 fotos

A litografia foi inventada em 1798 por Aloysius Senefelder, quando ele procurava uma maneira de fazer a impressão de seus textos e partituras e se deparava com o desinteresse dos editores. A litografia se tornou muito popular como meio de impressão, por volta de 1830. As pessoas usavam essa técnica para criar artes coloridas para livros, bem como para coisas mais corriqueiras como etiquetas, panfletos e pôsteres.

A popularidade da litografia surgiu entre os artistas porque foi o primeiro meio de impressão a permitir que o artista "pintasse" ou "desenhasse" naturalmente em uma pedra plana para criar uma imagem.

A litografia foi a primeira tecnologia de impressão que permitia que um artista tradicional trabalhasse usando técnicas convencionais e criasse impressões que poderiam competir com uma pintura original em termos de detalhes e variação de cores. A litografia foi popular durante o século XIX e ainda hoje, ela é praticada por artistas e estúdios de litografia.Antes da invenção da fotografia e dos métodos atuais e tecnológicos de impressão, os rótulos e marcas dos produtos eram feitos através da litografia.

Trata-se de uma técnica de gravura em que o artista desenha sobre a pedra litográfica, para que a imagem seja posteriormente impressa em papel. Essas pedras, pertencentes ao grande mestre gravador Roberto Giarfi , "o desejo de resgatar a importância histórica da litografia resultou neste encontro com artistas da cidade de santo andre" diz o mestre gravador..
http://lazer.hsw.uol.com.br/litografia.htm

Woodcut Printing 1450-1520

http://www.youtube.com/watch?v=mgCYovlFRNY