concursos, exposições, curiosidades... sobre arte
escolhidos por MARIA PINTO
(Maria Regina Pinto Pereira)

http://maregina-arte.blogspot.com/

sábado, 23 de julho de 2011

Mesa-redonda sobre "Gravura Contemporânea" na FUNARTE SP, dia 28/07-20h.



a mesa-redonda que faremos na FUNARTE SP na próxima quinta-feira, dia 28/07, às 20h.
Participantes: Paulo Miyada, Elisa Bracher e Fabricio Lopez.

Salão de Artes Plásticas Teresina-Piauí


Promovido pela Prefeitura de Teresina, por meio da Fundação Municipal de Cultura Monsenhor Chaves, o Salão será realizado entre os dias 09 de agosto e 17 de setembro na Casa da Cultura de Teresina. O edital e a ficha de inscrição estão disponíveis no site da FCMC [www.fcmc.pi.gov.br] e, de acordo com o regulamento, as inscrições devem ser feitas na no horário de 8h às 13:30h na sede da Fundação Municipal de Cultura Monsenhor Chaves, localizada na Rua Felix Pacheco, 1430, Centro -Teresina-PI, CEP: 64000-160.
Cada participante terá direito a apenas uma inscrição nas categorias Desenho, Escultura, Instalação, Pintura e Arte Sacra. Ele deverá apresentará, obrigatoriamente, três trabalhos, todos de uma mesma categoria. O artista poderá se inscrever em mais de uma categoria, contudo, será selecionado apenas em uma. Na modalidade Instalação, será aceito apenas um trabalho. Além disso, cada artista poderá inscrever-se com seu portfólio gravado em CD contendo fotografias coloridas, sendo que apenas 03 obras serão selecionadas para participar do Salão. Já os inscritos residentes fora de Teresina podem enviar seus portfólios via e-mail no endereço eletrônico: monsenhorchaves@gmail.com.
Os vencedores serão conhecidos na abertura do evento, em solenidade no dia 09 de agosto, às 19h, na Casa da Cultura. Neste ano, a premiação será de R$ 3mil para os primeiros colocados nas categorias Desenho, Escultura, Instalação, Pintura e Arte Sacra. O segundo lugar em cada categoria fatura R$ 1,5 mil.
Nesta edição, o Salão de Artes Plásticas faz uma homenagem especial à Braga Tepi, um dos mais notáveis artistas piauienses reconhecido em todo o país pelo seu talento com esculturas à partir de aglomerados industriais.
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Serviço
Evento: Inscrições para Salão de Artes Plásticas
Data: até o dia 02 de julho
Local: sede da FMC

Mais informações / Contatos:
PMT/FMC – Ascom – Diego Iglesias / Luana Campos / Amana Dias / Monteiro Júnior 9998-7657 / 8827-4982 / 3215-7819
 

Great Olmeca Treasures on View at the National Museum of Anthropology in Mexico City

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Olmec figures are seen during the preview of "Colossal masterworks of the Olmec world" exhibition at the Anthropology Museum in Mexico City. The exhibition has on display more than a hundred 4000-year-old pieces from the pre-Colombian Olmec civilisation. REUTERS/Carlos Jasso.





A security guard stands near an Olmec head during the preview of "Colossal masterworks of the Olmec world" exhibition at the Anthropology Museum in Mexico City. The exhibition has on display more than a hundred 4000-year-old pieces from the pre-Colombian Olmec civilisation. REUTERS/Carlos Jasso.

MEXICO CITY.- After the success at the Los Angeles County Museum of Art and de Young Museum in San Francisco, in the United States, where nearly 600,000 persons visited it, the exhibition Colossal Masterworks from Olmeca World is now open at the National Museum of Anthropology (MNA), where visitors may admire two original colossal heads that weigh more than 4 tons each.

Organized by the National Institute of Anthropology and History (INAH), the exhibition offers a panorama of Olmeca civilization, starting from invaluable pieces found in different archaeological sites in the Gulf of Mexico area, where the civilization addressed as “mother culture” of Mesoamerica flourished 4,000 years ago.

During a visit with communication media representatives, Miriam Kaiser, INAH Director of Exhibitions, explained that the show is comprised by 116 works, among them the Colossal Heads known as 5 and 9, of 4 and 6 tons of weight respectively, found in San Lorenzo, Veracruz, and part of the Xalapa Museum of Anthropology (MAX) collection.

“None of the 17 colossal heads found until now in the Gulf of Mexico Region is similar to another, they all have different features, and, generally, is how rulers were depicted. But nothing written has been found to allow us to know the name of these rulers. The Olmeca culture still keeps its secrets”, declared Miriam Kaiser.

Archaeologist Erika Gomez, exhibition project coordinator at INAH, commented that the show is divided in 4 parts: The first one is about the splendor of the Olmecas (1800-400 BC); the second part is related to sculptures that represent hierarchy and power; the third one refers to regions influenced by the Olmecas and the last one, to the legacy of this culture.

Among the great format pieces are a group of sculptures called Azuzules, referring the place where they were found in the Mexican state of Veracruz. Four sculptures, among them a jaguar and 2 characters, maybe warriors or priests, named Gemelos I y II (Twins 1 and 2) because they are identical, are exhibited at the National Museum of Anthropology.

As the main part of the exhibition is comprised of monumental sculptures, it was mounted at the lobby of Gulf Coast, Oaxaca and Mexica Halls, with all security measures taken.

Obras Colosales del mundo Olmeca includes ceramic and jade objects as well as a 3,200 year-old wooden bust from El Manati Archaeological Site, mounted with humidity and temperature monitoring devices.

Among them is a pair of jadeite votive axes dated between 900 and 400 BC found in La Venta, Tabasco. One of them represents a corncob and the other a human face between 2 small cobs.

Offering 4 from La Venta, Tabasco dated in the same period, is on display. Consisting of jadeite, serpentine and granite objects, represents a ceremonial scene, with 6 jadeite axes forming a wall with a person at the center. Other 15 persons, 2 of them made of jadeite and the rest, representing bold men, made of serpentine, are also part of the offering.

The Contortionist also outstands. The Las Choapas, Veracruz piece dated between 1200 and 600 BC, represents an acrobat with his feet on his head. The pose, observed in monumental and small sculptures as well, is a symbolic representation for both Mayas and Olmecas, of a ruler personified as the maize deity.

Monument 34, from Texistepec, Veracruz, dated between 1400 and 1000 BC, is another monumental piece at the National Museum of Anthropology; it is almost one meter high and was deposited as an offering during the Prehispanic age.

Other outstanding works are the sculpture The Dancing Jaguar, one meter high, dated between 600 and 300 BC and found in Tuxtla Chico, Chiapas; and Monument 19, from Acayucan, Laguna de los Cerros, Veracruz (1200-1000 BC), which represents a standing beheaded person, maybe made during a change of power.

Olmeca culture greatness can be admired by the Mexican public at the exhibition Colossal Masterworks of Olmeca World which conquered the American public for almost 8 months during the exhibit in San Francisco and Los Angeles.

Curated by the recently departed Virginia Mary Fields, who was a specialist in Ancient American Art at LACMA, this great exhibition is composed by pieces from museums that are part of the INAH network as well as independent museums such as Xalapa Anthropology Museum and Museo Amparo of Puebla.

Obras Colosales del mundo Olmeca at the National Museum of Anthropology (MNA) will be open until late October 2011. The entrance fee is 51 MXP but students and teachers with a valid ID, children under 13, senior citizens over 60 do not pay. On Sunday entrance is free for Mexican residents presenting their ID. The museum is open Tuesday to Sunday from 9:00 to 19:00 hours.




 

CAPOEIRA