Manhattan Graphics Center Project Space

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Call for submissions from MGC Members Manhattan Graphics Center Project Space LIVING LARGE The premise: a call for MGC member printmakers to create prints that use an entire sheet (22 x 30") of printmaking paper. (You can also work even larger.) Prints should be framed and ready to hang. Include name, medium, date of work, edition no., price. Submission deadline: 25 March 2014 Show will be on view during April 2014 Place prints on shelf #107 Opening celebration/artists' talk: Sat., April 5, 6:30-9 PM Pick up work: 28-30 April  2014 Curator: Rich Turnbull, rhturnbull1126@gmail.com ON VIEW IN THE GALLERY RENEWAL New Works by  Matthias Kern February 1 - 28, 2014   www.matthiaskern-art.com  IN THE PROJECT SPACE: FEBRUARY    AN EXHIBITION OF VARIOUS PRINTS CREATED BY THE STAFF OF CARRIER PIGEON MAGAZINE Carrier Pigeon is a magazine of illustrated fiction and fine art.  To see more about our magazine, please visit www.carrierpigeonmag.com PARTICIPATING ARTISTS: Matt Barteluce Kirsten Flaherty Stephen Fredericks Rie Hasegawa Denise Kasof Chunwoo Nam Christina Pumo Justin Sanz Rostislav Spitkovsky Evan Summer Bruce Waldman Gallery and Project Space hours: Mon: 6-10pm, Tues-Fri: 10am-10pm, Sat & Sun: 10am-6pm You are invited to:  An Evening to Remember Danielle DeMers Join her family of friends and associates as - with words and music - we try to catch the spirit of this lovely lady.  Her colleagues at MGC recall her excellence as artist, teacher and printmaker. With her engaging personal manner, she was an attentive friend and continues being a present inspiration. When: Tuesday, March 18, 2014 at 7:00pm Where: Fifth Floor Theatre             111 Second Ave. (at 6th Street)   RSVP: danielledemers318@gmail.com (include no. of guests)  Tracklights: MGC Member News Vijay Kumar is exhibiting etchings in a 3-person exhibition of prints entitledFrom Both Sides of the Pond, with two artists from England, Ann Desmet and Jackie Newell. The show is on view until February 20, 2014 at The Arthur M. Berger Art Gallery at Manhattanville College, 2900 Purchase Street, Purchase, NY.   Frederick Mershimeris exhibiting paintings and prints in a two person show with Michael DiCerbo at The Old Printshop, located at 150 Lexington Avenue (between 29 and 30th Streets). The opening will take place on February 8th from 1:00 to 4:00 pm. An artist talk will be held on February 22 at 1:00 pm.

MANHATTAN GRAPHICS CENTER   250 WEST 40 STREET, FIFTH FLOOR | NYC 10018 | 212-219-8783

Radical Breakthroughs.

Make a breakthrough: enter before February 28 for a chance to be published! North Light Books is searching for the very best contemporary acrylic work. The subjects and styles may vary, but the work must embody this year’s theme: Radical Breakthroughs. Your take on that theme is open to artistic interpretation! But don’t wait too long—the deadline is February 28. Enter today! Have you created something groundbreaking in your work this year? Have you mastered a new technique or made the viewer look at an everyday subject in a new way? If your art has made or captured a radical breakthrough, we want to see it. And the best work will be seen by many more:winners will enjoy national recognition and the perks of being featured in North Light Books’ beautiful, hardbound series, AcrylicWorks. For complete information, including submission guidelines, click here. Breakthroughs deserve recognition: Enter yours today.

The Artist’s Magazine’s Annual Art Competition

More than $25,000 will be awarded, but hurry — the Early-Bird Deadline for entry is April 1! The Artist’s Magazine’s Annual Art Competition wants to honor your most outstanding work. If your art is deserving of being celebrated in the pages of The Artist’s Magazine, enter today! Winning submissions will be discovered by fellow artists, art professionals and art lovers in a wide variety of settings: Winners’ names and work will be featured in the December 2014 issue 9 finalists will be showcased in the magazine’s “Competition Spotlight” feature 12 finalists will be featured as “Artist of the Month” on our website The work of 12 finalists will be offered on our website as desktop wallpaper. Win your work the recognition it deserves — and up to $2,500 cash. Enter today! Click here for a complete list of prizes, categories and rules. Early-Bird Deadline: April 1, 2014

tecidos impressos manualmente

http://www.zucchicollection.org/pages/tradizione.php

ensaio gráfico - gravura em metal - o desígnio.o desenho. a gravura. - J. Milton Turcato - Graphias - SP

Bancos em forma de insetos - Funarte Brasília

Bancos em forma de insetos

ocupam a Funarte Brasília

Grupo Fora, de Santa Catarina, inicia projeto de exposição, contemplado

com o Prêmio Funarte de Arte Contemporânea 2013 – Atos Visuais Funarte

Brasília – Marquise

Bicho banco, uma proposta de exposição do grupo Fora, composto

por artistas de Santa Catarina, conquistou o Prêmio Funarte de Arte

Contemporânea 2013 – Atos Visuais Funarte Brasília – Galeria e Marquise.

Para a intervenção, Bruna Maresch, Camila Argenta, Gabriel Scapinelli e

Nara Milioli criaram mobiliários lúdicos, feitos de madeira. Inspirados na

natureza, os cinco bancos remetem à cigarra, ao bicho-pau, à mariposa, ao

grilo e ao percevejo.

A abertura da mostra será no dia 13 de fevereiro, às 19h. A visitação ocorrerá

até o dia 16 de março, de segunda a domingo, das 9h às 21h.

Um dos mais importantes do cenário das artes visuais no Brasil, o Prêmio

Funarte de Arte Contemporânea estimula a multiplicidade e a diversidade de

linguagens, em suas variadas modalidades de manifestação. O disputado

concurso promove e difunde a produção artística; a reflexão e o intercâmbio

de ideias, no campo das artes visuais, contribuindo para a formação de

plateia e a construção da recente história da arte do país.

As estruturas-bichos formam bancos-espreguiçadeiras, que convidam o

espectador a parar, sentar, se espreguiçar e até brincar. A referência aos

insetos sugere a interação com o meio-ambiente. Articulados, os “bichos

banco” foram projetados para funcionar como elementos atrativos. Isto é: sua

adaptação no espaço prioriza a criação de fluxos de passeios e encontros.

Uma das propostas da obra é convidar o espectador a permanecer no

espaço urbano, em áreas abertas e públicas, e usufruir delas. Os “bichos”

permanecerão por um mês em exposição na Marquise da Funarte em

Brasília. Ao final da intervenção, serão doados a algum espaço público.

“Desde o início do percurso do grupo Fora, as ações propostas nos jardins

abertos de Florianópolis sempre tiveram um caráter informal. Com o

Prêmio Funarte de Arte Contemporânea 2013, estamos aprendendo outras

maneiras de trabalhar juntos. Aproveitamos a possibilidade de expandir

nossas intervenções para outra cidade, com o reconhecimento profissional

e o respaldo financeiro, além de promover encontro e amizade com outros

profissionais”, diz Camila Argenta, uma das integrantes do coletivo.

Esse projeto técnico-construtivo é um desdobramento de um bicho banco

já realizado pelo grupo Fora, em 2012 em Florianópolis. O bicho-pau está

em uma praça no bairro Santa Mônica, onde é utilizado por moradores e

passantes. A eficiência no trabalho de marcenaria das peças está assegurada

pela experiência do grupo Xilocoletivo, composto por arquitetos marceneiros,

que atuam há quatro anos na capital catarinense.

Cigarra & Cia. é o título do catálogo da mostra Bicho-banco. O texto é do

crítico e curador independente Fernando Boppré.

Sobre o Fora

A proposta do grupo Fora pode ser melhor conhecida na plataforma digital

foragrupo.hotglue.me

Desde 2010, em Florianópolis, realiza estudos e mapeamento de terrenos

baldios, acompanhados de ações, intervenções e reflexões. Com uma

atuação marcada pelos cruzamentos entre arte, arquitetura, marcenaria e

design, o coletivo aposta na apropriação experimental e efêmera de espaços

públicos e terrenos vagos, sem cercas ou muros, por meio de dispositivos

como mobiliários, canteiros de plantas daninhas, pipas, cartazes, e ainda

através da produção de eventos, piqueniques e festivais. Em cada local, os

artistas realizam as ações de acordo com as características e o contexto

do espaço a ser utilizado. A convivência nos terrenos possibilita o contato e

a troca de experiências com a população e conduz a outros processos de

interação coletiva.



Ficha técnica

Grupo Fora: Nara Milioli, Gabriel Scapinelli, Camila Argenta e Bruna Maria Maresch

Desenho técnico: Gabriel Scapinelli

Produção gráfica e fotografia: Grupo Fora

Marcenaria: Xilocoletivo

Texto crítico: Fernando Boppré

Assessoria de imprensa: Néri Pedroso



Serviço:

Mostra Bicho banco, do grupo Fora (SC)

Abertura: dia 13 de fevereiro de 2014, às 19h.

Visitação: até 16 de março de 2014, de segunda-feira a domingo, das 9h às

21h

Local: Complexo Cultural Funarte – Marquise

Eixo Monumental, Setor de Divulgação Cultural, Brasília DF (entre a

Torre de TV e o Centro de Convenções), tel.: (61) 3322-2076/ 3322

2029atosvisuais@funarte.gov.brwww.funarte.gov.br

Gratuito



Leia mais em

foragrupo.hotglue.me

Contatos: Grupo Fora: Bruna Maresch, (48) 9128-9788 (vivo)/9636-9788 ; Camila

Argenta, (48) 9142-4203/9904-4203; Gabriel Scapinelli (48) 64-3496; Nara Milioli

(48) 3228-1179/9989-2256

Imprensa NProduções Néri Pedroso (jorn.) neripedroso@ig.com.br Skype:

neripedroso Face: Néri Pedroso (48) 9911-9837/3248-4158

Contemporary Brazilian Printmaking - New York - USA

 
A non-profit institution devoted to the exhibition and understanding of fine art prints.

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Contemporary Brazilian Printmaking

Curated by Eduardo Besen, Rodrigo Naves, Priscila Sacchettin
Opening 6-8 pm: March 20, 2014
On view: March 20 - May 23, 2014

International Print Center New York presents Contemporary Brazilian Printmaking, an exhibition of fine art print projects by over fifteen artists working in Brazil today. It will be on view at 508 West 26th St, 5th Floor, from March 20 - May 23, 2014.  

Artists include: Nara Amélia, Mônica Barki, Ernesto Bonato, Ulysses Bôscolo, Marco Buti, Cleiri Cardoso, Helena Freddi, Sheila Goloborotko, Nina Kreis, Kika Levy, Fabricio Lopez, Alberto Martins, Claudio Mubarac, Laertes Ramos, Augusto Sampaio, Alexandre Sequeira, and Lambe-Lambes by Maura de Andrade, Sergio Kal, Mauricio Parra, Regina Pinto, Yili Rojas, and Carlos Henrique Soares. 

Employing a wide range of mediums, techniques and styles, the artists featured in the exhibition represent many different aspects of Contemporary Brazilian printmaking. They have been selected by a group of curators, art historians and print specialists working together to identify important trends and achievements in the field of printmaking in contemporary Brazil. For the majority of the artists, this exhibition constitutes the first showing of their work in North America. As such, it offers a long-anticipated opportunity for New York audiences to connect first-hand with Brazilian art today.  

Inheriting this tradition, the artists included in Contemporary Brazilian Printmaking resist convention, embracing technical experimentation and representing (in the words of one curator) an intuitive, if sometimes naïve, approach to the genre. This exuberance as reflected in the work of our featured artists will make for an exciting and revealing exhibition. Their techniques range from aquatint, dry point, mezzotint, and woodcut to contemporary photo etching, digital printing, and photo engraving.
 

Curators:

Eduardo Besen is co-founder of São Paulo’s Gravura Brasileira Gallery, which contains a collection of more than 3,000 works of modern and contemporary printmaking. It is the only Brazilian exhibition space that we know of dedicated solely to displaying and promoting Brazilian printmaking. With a history of organizing national and international exhibitions for emerging and renowned artists and publishing art books and print portfolios, Gravura Brasileira Gallery has become a focal point of Brazilian printmaking. A recognized authority on Brazilian printmaking, Besen has lectured widely both in Brazil and abroad on the subject.

Priscila Sacchettin is assistant curator at São Paolo’s prestigious Instituto Moreira Salles, a cultural organization promoting the development of projects in photography, literature, Brazilian music, and the visual arts. She also contributes to the Itaú Cultural Institute Brazilian Art Encyclopedia, an Internet database used by students and advanced scholars for their research projects. With a Master’s degree from the University of São Paulo, Sacchettin writes about contemporary artists as a member of the Young Critics Group of Centro Universitário Maria Antonia.

Rodrigo Naves is an art critic, art historian, and professor, has been published in numerous Brazilian magazines and newspapers and was editor of the culture supplement Folhetim (in the newspaper Folha de São Paulo). He contributed the preface to the Brazilian editions of Art and Culture by Clement Greenberg and Modern Art by Giulio Carlo Argan. He also has authored many books, including El Greco—Um mundoturvo [El Greco: A Dim World] andA Forma Difícil—Ensaios sobre Arte Brasileira [The Difficult Form: Essays on Brazilian Art]. Naves holds a Ph.D in Aesthetics from the University of São Paulo.

International Print Center New York is a non-profit institution founded to promote the greater appreciation and understanding of the fine art print. Through innovative programming, it fosters a climate for the enjoyment, examination and serious study of artists’ prints - from the old master to the contemporary.  IPCNY depends upon public and private donations to support its programs.  To contribute, or for membership information, please contactstephanie@ipcny.org.
 

This exhibition is supported by the Consulate General of Brazil in New York. Support for the organization’s activities and programming  comes from the Milton and Sally Avery Arts Foundation, the Lily Auchincloss Foundation, Deborah Loeb Brice Foundation, Gladys Krieble Delmas Foundation, Foundation for Contemporary Art, The Greenwich Collection Ltd., Hess Foundation, The Jockey Hollow Foundation, The Ronald and JoCarole Lauder Foundation, The New York Community Trust, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, PECO Foundation, Porter Family Charitable Foundation, Shapiro-Silverberg Foundation and the Thompson Family Foundation.

poéticas do traço - Edna Canoso - SP

Exposição “Poéticas do Traço” de Edna Canoso

Data: De 5 de fevereiro a 10 de março de 2014

Local: Club Transatlântico

Endereço: Rua José Guerra, 130 - Chácara Santo Antônio - 04719-030

Horário: das 9h às 22h

Ingresso: Entrada gratuita

Todas as obras estarão à venda

Encontro com a artista: Dia 26/02 (quarta) das 14h às 17h

                                Dia 06/03 (quinta) das 14h às 17h      

Obrigada!!

Bjs,

    EDNA CANOSO

Ateliê Poéticas do Traço

www.ednacanoso.com.br

(11) 99381-3417

leilão de gravuras - Fibra Galeria

Leilão de gravuras e oportunidades Dia 24 e 25 de fevereiro às 15:30 Obras originais em papel e gravuras serão leiloadas a preços de promoção.Cadastre-se em nosso site, é simples e rápido. Qualquer dúvida nos ligue ou escreva. 11 2478 3688 contato@fibragaleria.com.br www.fibragaleria.com

Graphic Impressions Winter 2014

Graphic Impressions Winter 2014 The latest edition of Graphic Impressions is available at http://sgcinternational.org/newsletter/hot-off-the-press/  In this issue: Letter from the President Beth Grabowski / Letter from Editor Liz Klimek /  Raised Line Serigraphy and Some Modern Variations by Craig Krug /  2014 Conference information / Book Review: A History of Chromolithography by Beauvais Lyons / the Second Symposium of the Rocky Mountain Printmaking Alliance by Jill Fitterer/ Book Review: A History of Screen Printing - How an Art Evolved into an Industry by Richard S. Field / Two New Cuban Print Shops by Steven Daiber / The Entrepreneurial Printmaker by Rabeya Jalil / 2015 Conference Call for Participation  /  Announcements  /  In Memoriam: Wanda Ewing and Mark Zaffron Remember that Graphic Impressions is always looking for image and article submissions relating to print media.  If you are interested in submitting to the newsletter, articles or images should be timely and follow these guidelines: Images: 300 dpi, 8"x6" (include medium, size, and date in email) Articles: 1500 word max. Reviews: 750 word max. Announcements/opportunities should be brief. Submissions are included in the newsletter at the discretion of the editor, and all questions regarding your submission can be directed to:editor@sgcinternational.org Quick Links   www.sgcinternational.org     SGC International Beth Grabowski, President University of North Carolina, Chapel Hill

Jornada Fotográfica Bloco da Ressaca - SP

Jornada Fotográfica Bloco da Ressaca
Coordenação: André Douek

Quando: Sábado, 22 de fevereiro de 2014, das 15h às 18h

Onde: Ponto de encontro no Largo do Cambuci s/nº - Cambuci

Quanto: Atividade Gratuita

Inscrições até 21/02

Dúvidas e informações: pelo telefone (11) 9-9113-5311 com André Douek

INSCREVA-SE AQUI: http://bit.ly/1alwO9D

Um abraço,

André Douek
11 9 9113 5311
andredouek@uol.com.br